
Flower Interruption (2002),
cutout paper flowers (painted with acrylic), performance/installation,
Malioboro Street, Yogyakarta, Indonesia

Flower Interruption (2002), cutout paper flowers (painted with
acrylic), flowers installed on Becek by Becek driver, Malioboro
Street, Yogyakarta, Indonesia

Malioboro Street, Yogyakarta, Indonesia

Flower Interruption (2002), cutout paper flowers (painted with acrylic),
flowers installed on stall by vendor, Malioboro Street, Yogyakarta,
Indonesia

Flower Interruption (2002), cutout paper flowers
(painted with acrylic), flowers installed on stall by vendor, Malioboro
Street, Yogyakarta, Indonesia

Flower Interruption (2002), cutout paper flowers (painted
with acrylic), flowers installed on Becek by Becek driver, Malioboro
Street, Yogyakarta, Indonesia
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Flower Interruption (2002), cutout paper flowers (painted with acrylic),
performance/installation, Malioboro Street, Yogyakarta, Indonesia
Yogyakarta, Indonesia – The Flower Interruption in Yogyakarta took
place on Monday, July 29, 2002 at 2:00 pm on Malioboro Street, the
center
of activity in
Yogya. Maliboro extends from the railway tracks to the public square
where the sultan’s palace is located. Shops and booths line
the street, packed ceiling to floor with goods. The street is quite
lively with vendors, shoppers, homeless, becaks (three-wheeled bicycle
transport), cars and motorbikes.
I spent the week before the installation painting additional larger
flowers at my friends Sam and Ade’s home, surrounded by a continuous
stream of people coming over to visit and chat – a very fun
and stimulating environment. I was concerned about the possibility
of being arrested during the Interruption. However, Sam and Ade reassured
me that the cops wouldn’t even bat an eye, unless we were naked.
Sure enough, when we arrived at the site, we saw groups of cops planted
on stools around tables all along Malioboro Street, playing games
and drinking beer, completely oblivious. I began first installing
the flowers on the median in between the lanes of cars, motorbikes,
and becaks. I then moved into the intersection and placed them within
the crosswalk. I had about 5 assistants helping me put tape on the
backs of the flowers, hand me the flowers and block traffic. The
action drew a lot of attention with a number of people gathering
to see what was happening and vehicles slowing down to try and make
sense of what they were seeing. When we finished installing in the
first area we moved further down Malioboro. After about half an hour,
I realized that I had left my portfolio back at the initial installation.
I ran back to see if I could find it. As I approached the area, I
could see a group of becak drivers standing together elbowing each
other and looking very guilty when they saw me coming. I had no idea
what was going on until I got closer and could see that they and
the vendors had pulled up most of the flowers and used them to decorate
their becaks and booths. Of course, I was thrilled and delighted
by this (and they were very happy that I was) – to see the
development of the afterlife of the work and the appreciation for
it.
Other Projects I have done that relate to this work include:
Produced by Marina Perez Wong for Megan Wilson
Bikes
Becaks
Flower Interruption SF
Flower Interruption Bali Indonesia
Flower Interruption Tokyo Japan
Bungas

Flower Interruption (2002), cutout paper flowers (painted with acrylic),
performance/installation, Malioboro Street, Yogyakarta, Indonesia
Thank you to the following for their help with the project: Samuel Indratama, Ade Tanesia, Bambang Toko, Antung, and Tejo. Thank you also to The ArtCouncil/Artadia for their support!
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