In 2000 Wilson co-organized the performance/protest series Art Strikes Back in response to the unprecedented and unrestricted level of gentrification and displacement in San Francisco during the "dotcom boom." In 2003 she curated and co-organized the international exchange and residency Sama-sama/Together, a collaboration between community arts organizations and artists from San Francisco (USA) and Yogyakarta (Indonesia) designed to foster understanding of Muslim and non-Muslim cultures following 9/11. From 2004 – 2008 she transformed her 1,600 sq. ft. living space into an installation that explored and challenged the meanings of “home” and “homelessness” through her project Home 1996-2008. Wilson has been a core organizer of the Clarion Alley Mural Project since 1998 and is one of the organizers of CAPITALISM IS OVER! If You Want It, an ongoing movement of interruptions/actions by artists from around the world in response to the need for a fundamental shift in our approach to Capitalism and the negative impact it has on the environment, health, and wellbeing of all. Wilson is also a writer and recently published The Gentrification of Our Livelihoods on Stretcher.org in June 2014. The article addresses how public-private partnerships between developers and the arts in San Francisco are affecting the gentrification of the city and our livelihoods.
My current work addresses the need for a fundamental shift from free-market Capitalism that puts profit before all else and negatively impacts the environment, health, and wellbeing of all (see my Points to Consider on the State of Free Market Capitalism 2014). We’re all active and/or passive participants in Capitalism. However, it’s not helpful to approach the existing system from a place of polarity - either you live completely off the grid or you’re a Capitalist. I’m interested in creative forms of engagement for provoking deeper considerations of these issues. Influences include philosopher and activist Dr. Cornel West, environmentalist Vandana Shiva, cultural critic and historian Thomas Frank, journalist and social activist Dorothy Day, economist, Raj Patel, social activist Naomi Klein, philosopher Slavoj Žižek, economist Richard D. Wolff, and economist Robert Reich.
Additionally, I’ve been a practitioner of Buddhism and Vipassana meditation since 2003. Both are closely tied to my art practice. I often create art that is conceptually rooted in elements of these practices and that is intentionally ephemeral or that I give away. Much of my work is no longer in existence because it was never meant to be permanent - forcing the viewer/consumer, as well as myself, to let go of any expectations of its monetary worth. This is not to say that I don’t appreciate or create work that’s collectible and/or consumer-based; I do create and appreciate such work. However, it is integral to my practice to challenge myself in ways that are always pushing me to evolve, including the creation of work that's impermanent or gifted.
Megan Wilson and Christopher Statton are in ATA’s display window, painting hundreds of signs with one word on them: “Home.” Black letters and a flower spell out the word in English or other languages, each on a solid color background. Sold in pairs for $100, one sign goes to the purchaser; the money and the other sign goes to one of three homeless service organizations. They could have just painted a bunch of signs in their studio and put them up for sale, but they chose instead to perform the production of the signs in the window. More than fundraising, they are organizing, raising awareness through outreach, providing information, and holding the City accountable for its human responsibility. And they are accomplishing all of this by subverting the tools of commercial language. Read more HERE. _________________________________________________________
Christopher and I talking with Diamond Dave about Better Homes & Gardens Today ... HERE _________________________________________________________
Program by Emelie Reosenqvist Aired Monday, October 13, 2014
When 23-year-old newly rich tech workers moving to the Latin working class district of The Mission in San Francisco and lyxrenoverar housing rights, not greet their neighbors, but please slafsar itself tacos for $ 1 and on the spot offers SEK 30 000 in monthly rent for a small one - brought the wrath of the neighborhood.
Not only because thousands of people are likely to be evicted, but also against flipping. Against the lack of interest in culture, against the gap that arises between rich and poor, artists and IT entrepreneurs.
Gentrification can in many ways be likened to colonization, like cultural workers of The Mission.
At the same time, how far from the radical ideals that characterized San Francisco is really the new IT entrepreneurs and tech industry?
What are the opportunities for artists and cyber-entrepreneurs must comply to meet? Will San Francisco continue to be a place of curiosity, diversity and radical thinking?
A program of the meeting or not meeting between the art technology and capital - and about who actually owns a city's soul.
Program includes interviews with Megan Wilson and Christopher Statton
If you’re an artist in San Francisco these days, securing affordable studio space in which to work is no easy task. It often means getting creative. Chris Statton and Megan Wilson may know this better than anyone—Wilson herself was evicted last year from her longtime studio at 340 Bryant. As members of Clarion Alley Mural Project, they’ve worked long hours out of doors, installed in movie theater lobbies (they painted the interior of the Roxie in 2012), and even turned homes into a studio/installation (as Wilson did from 1996 to 2008). Read moreHERE. _________________________________________________________
Better Homes & Gardens Today is a public art project by Megan Wilson and Christopher Statton developed to:
1) Heighten awareness around “home” and the realities of homelessness;
2) Cultivate a dialog within communities and amongst disparate groups about housing instability; and
3) To raise money to benefit the Gubbio Project, the Coalition On Homelessness, and At The Crossroads, organizations working to address homelessness in San Francisco.
ALL PROCEEDS - 100% - FROM THE SALES OF BETTER HOMES & GARDENS TODAY'S LIMITED EDITION SIGNS WILL BE EQUALLY DIVIDED BETWEEN THE THREE PARTNER ORGANIZATIONS - THE GUBBIO PROJECT, THE COALITION ON HOMELESSNESS, AND AT THE CROSSROADS.
Wilson and Statton are creating a limited edition of 300 pairs of hand-painted “Home” signs. The single word for “Home” is painted in black in different languages against a color background and with a flower. The signs are painted on 1⁄4" plywood and range in size from 12"x18" to 16"x30." Wilson and Statton will present the project in the storefront window at ATA (Artists’ Television Access) in October and in the storefront window of the Roxie Theater in December/January.
The signs are available for purchase for $100/pair. The purchasers will get one sign and the other sign will be donated to one of the three partner organizations to use as they see best fit). Purchasers will also be provided with more information on each of the organizations and how they can further help. All of the proceeds and the signs purchased for the organizations will be divided evenly and go to the three partners (Gubbio Project, Coalition On Homelessness, and At The Crossroads).
Signs are available for purchase on the project's Website at: www.BetterHomesAndGardensToday.org.
Throughout the project Wilson and Statton will host free events to educate audiences on:
1. The realities of being homeless;
2. What the culture and climate of homelessness is like in San Francisco; and
3. What is truly needed to address this crisis - funding and policy change.
As part of the project Statton and Wilson have been introduced to and reached out to some of the Bay Area's tech corporations and their employees, including Twitter, Facebook, Zendesk, Yammer, Google, Dropbox, and Salesforce to invite them to attend the project's events. The invitation was extended to these corporations, who are relatively new to the area, to provide them with the opportunity to learn about, contribute to, and support a community that is in great need and that they are now working/ living among and having a significant impact on.
_________________________________________________________ MI CASA NO ES SU CASA Directed by Avery Yu and Haley Jensen
Released September 2014
MI CASA NO ES SU CASA tells the story of a rapidly evolving neighborhood: San Francisco’s Mission District. Stripping down the word “gentrification” to its literal and interpreted meanings, this film addresses the multifaceted perspectives of the issue. Through interviews with long time residents, politicians, professors and community activists. Mi Casa No Es Su Casa gives us a snapshot into this vibrant neighborhood and the complicated politics of its newfound popularity.
Interviews with Megan Wilson, Erin MC EL, Roberto Hernandez, Christopher Statton, Miriam Zuk, Jean Yaste, and David Campos.
"In honor of Hispanic Heritage Month (9/15 thru 10/15), we’re celebrating the amazing Hispanic culture here in the Bay Area. Nestled in San Francisco’s Mission District, tucked in between Mission Street and Valencia Street at 17th Street, you can find the bright and colorful world of the Clarion Alley Mural Art Project (aka CAMP). A true grass roots project that began in 1992, CAMP is organized and maintained by a revolving core of artists and community members who have volunteered thousands of hours to produce over 700 murals over the past 22 years by artists of all ethnicities, ages, and levels of experience. The original co-founders of CAMP were inspired by the mural cluster in the Mission District’s Balmy Alley that focused on Central American social struggles. CAMP’s murals cover a wide variety of themes and aesthetics. These are just a small sampling of the beautiful murals visible in the Alley, from artists Ray Patlan & Aaron Noble (@aaronnoble), Megan Wilson, and Crystal Vielula. And in the photo at top left (courtesy Erin Feller), CAMP organizer Christopher Statton poses in front of the Voice of Resistance mural for CAMP’s 2014 Block Party on October 25, 2014, 11am - 11pm. Support this AMAZING community art space and join the celebration!"
Better Homes and Gardens, Public Project, San Francisco, CA 2000 Honored to have video footage from my Better Homes & Gardens project and Art Strikes Back, the performance series I organized with Lise Swenson- both from 2000 in response to the first dotcom bomb included in the exhibition “Fertile Ground” at the Oakland Museum in collaboration with SFMoMA.
Saturday, September 20, 4-6pm
Fall Lecture Series | FREE
Christian Frock, art writer and curator, and artist Megan Wilson will discuss public space, gentrification and the rapidly changing art scene in the Bay Area.
SOMCAN Board member Lolita Kintanar speaking at San Francisco City Hall against evictions, 2004, photo by Megan Wilson
Destructive graffiti wars are being waged by anonymous vandals, deliberately defacing many of the meticulously painted murals that vividly illustrate San Francisco's streets.
The attacks have sparked calls by outraged professional artists and their supporters demanding everything from public humiliation to experimental collaboration with the hostile graffiti "taggers" to avoid violence and more lost art.
If you're going to San Francisco, keep in mind that the outdoor murals you see are ephemeral, so appreciate them -- and take lots of photos -- before they disappear. Read more ...
The only real way to get to know a city is through its art. And the Mission, renowned for it’s artistic underbelly that shied away from the top-of-the-hill crowd, is now home to some of the more intriguing pieces of street art murals in the world.
There are only a few cities throughout the nation that proudly display their street art (Austin and Brooklyn, to name a few) but the Mission has entire alleys dedicated to rotating street artists that not only display local talent, but even attract some of the more famous graffiti artists.
Influenced by Japanese artist Japanese artist Takashi Murakami, SF local Megan Wilson tagged up Clarion Alley with a “tax the rich” slogan covering Murakami’s iconic smiling daisies. Murakami at one point has even worked on these walls.Read more ...
MeganWilson and Christopher Statton in fron of their mural (with Mike Reger and Ronin Tomoshima) Wall of Shame & Solutions, Clarion Alley, San Francisco, CA, 2014, photo by Mabel Jimenez for El Tecolote
En el distrito de Misión, la Zona Cero de San Francisco para desalojos, los artistas del barrio están usando sus talentos para resistir creativamente el aburguesamiento que ha desplazado a sus amigos, sus vecinos y sus compañeros de trabajo. Pero en lugar de piquetes y peticiones, estos artistas convertidos en activistas están armados con pinceles y poemas.
“Poner pinta en la pared es algo muy básico”, dijo Christopher Statton, uno de los principales organizadores del proyecto de Clarion Alley Mural, el cual transformó una calle llena de drogas en el Corazón de la Misión, en una series de murales vibrantes.
Situado entre las calles 17 y Sycamore, la unión de las calles Misión y Valencia muestra arte del tema anticapitalista y otro con temas políticos de una manera imaginativa, aunque simple, que llama atención a las fuerzas del aburguesamiento y desplazamiento, explica Megan Wilson, una de las otras organizadoras del proyecto.
“Siendo organizadoras del proyecto, una de las cosas que ha sido importante para nosotros es distribuir mensajes que tienen una conciencia social y política”, dijo Wilson, quien vive con Statton en el distrito Haight.
Su mural más reciente, ‘La pared de Vergüenza y Soluciones’ es una pared de mensajes que está directamente enfatizando los problemas de la ciudad. El mural muestra una lista de ‘vergüenzas’ incluso ‘la epidémica del desalojo en San Francisco’ y ‘regalos de ingresos corporativos’ además de ‘soluciones’, incluso ‘terminar con los subsidios corporativos’ y ‘poner impuestos y hacer que ellos paguen su parte’. Continue Reading
The Mission’s status as a global tourism destination has never been more acutely felt—walking down any of the Mission’s increasingly famous mural alleys, French, Japanese, German, Korean, Swedish and the ubiquitous snap of cameras can all be heard. As the number of tourists increases, so have the companies providing neighborhood walking tours—at least a dozen coming to the Mission. Not everyone, however, is thrilled about these arrivals. Read more ... _________________________________________________________
The Murals at Clarion Alley are Fleeting, but the collective effort of the artists that make these murals is tenacious.
There is a code at Clarion Alley, according to Christopher Statton, whom we found working on “Wall of Shame & Solutions”. It’s very simple. Keep your murals looking fresh, and they will not be whitewashed to make way for a new mural. Therefore, if you believe in your message, and you’re willing to fight for it, the mural that echoes it will be able to stay on for as long as you want it to be there. Maintaing a mural is no easy task, not only does an artist has to fight the taggers who deface the murals, the weather is not very cooperative either. Usually when an artist is working on a new mural, he/she paints “mural in progress, please respect”, which is a statement that taggers respect. However, after the mural is completed, it’s game on, and the path is clear for the taggers to tag away until their spray cans or their arms give out. Read more ... _________________________________________________________
A few years ago I created this installation Floating Mandala for the San Francisco home of collectors Maryam Mohit and Erik Blachford and their children. The Spring 2014 issue of California Homes includes the installation as part of their feature on designer Claudia Juestel's transformation of the Mohit / Blachford home. Floating Mandala developed out of the 5-year installation that I did in my home of 13 years that I was Ellis evicted from at the end of 2008 - Home 1996 - 2008.
Megan Wilson, Floating Mandala, textiles, pins, silver leaf ceiling, 384" x 240," San Francisco, CA2010
Megan Wilson, Floating Mandala, textiles, pins, silver leaf ceiling, 384" x 240," San Francisco, CA2010
WALL OF SHAME AND SOLUTIONS:
In a city that is rapidly changing to cater to the one-percent at every level, Clarion Alley Mural Project (CAMP) is one of the last remaining truly punk venues in San Francisco, organized by a core and revolving group of individuals who have collectively volunteered tens of thousands of hours throughout its history over the past 21 years.
As part of CAMP’s mission to be a force for those who are marginalized and a place where culture and dignity speak louder than the rules of private property or a lifestyle that puts profit before compassion, respect, and social/economic/environmental justice, CAMP artists/organizers Megan Wilson, Christopher Statton, and Mike Reger completed Clarion Alley Mural Project’sWall of Shame and Solutions to address the current crisis of displacement and the dismantling of our city’s historic culture.
Wilson herself was evicted in 2008 through the Ellis Act from her home of 13 years. In 2013 she was evicted from her studio at 340 Bryant Street, along with 150 other artists, by developer Joy Ouof Group i to make way for new tech offices. 340 Bryant Street was one of the last remaining affordable industrial spaces for artists’ studios in San Francisco. Additionally, during the painting of the Wall of Shame and Solutions Wilson was held by a Mission District police officer (with a back-up team of two officers) for 30-minutes for “breaking San Francisco’s Sit/Lie Ordinance” by sitting on the ground while taking a break from painting the mural.
In December 2013 I received an email forwarded from Annice Jacoby that was originally from Mission Local’s Editor-In-Chief Lydia Chávez. The email was sent to Rigo 23, John Jota Leaños, Isis Rodriguez, Jet Martinez and myself. Lydia was promoting a contest by Mission Local, asking artists to submit designs for the “Google Bus” shuttles.
From Mission Local: “Yes, Mission Local is still giving a $500 reward for the best entry into our unofficial contest to turn the tech buses into art. But what’s better is that it is no longer completely unofficial. Apart from our prize money — which was more of a gesture to those artists willing to give something unofficial a try — Genentech wants to bedazzle its buses and will select one winner whose art will adorn the side of one of its buses in 2014!”
Rigo 23, John Jota Leaños, Jet Martinez and I vehemently opposed the contest and any association with it (the full exchange can be viewed HERE).
The real point for Clarion Alley Mural Project (CAMP) and the artists involved here was one of respect – on a number of levels: 1) Several artists from CAMP were engaged in an exchange with Mission Local’s Editor-In-Chief Lydia Chavez during the initial promotion of this contest (see the link above). Each of us (three are core organizers for CAMP) expressed our desire to not be included in any way in this contest and articulated why we do not support it – additionally one of the artists (Jet Martinez) was the one who painted Community Thrift. Therefore, the selected entry really seemed like the choice was based on spite and retaliation for that expression; and 2) If the idea here is to build community, then the process was anything but that, and rather more about creating greater divides since neither Clarion Alley Mural Project or Community Thrift were approached to weigh in on the winning selection and it was already known that we were opposed to the contest in general. That’s not about community or respect – it’s more about contemporary colonialism and the elite caste system that these private transportation services have created – now, also reflected in Mission Local’s contest and process for selection.
Several days later the winning artist - Elinor Diamond withdrew her original image and selected a new one:
Big Thank You to Elinor Diamond for withdrawing her image of Clarion Alley Mural Project (CAMP) and Community Thrift and replacing it with a new one!
It’s truly unfortunate that Mission Local put her in this position to begin with – knowing that three of the artists (myself, Rigo 23, and Jet Martinez) who are core organizers of Clarion Alley Mural Project (and Jet painted the Community Thrift facade) were so strongly against the contest and its underlying implications with regard to creating a divisive corporate transit system. It would have been more responsible on ML’s part to at least let Elinor know the position of the artists and that her design was selected for its concept, therefore another image would also be acceptable. While I don’t support these private shuttles and the class caste system they create, I do appreciate Elinor’s decision to provide a new image.
There was also a lot of discussion around copyright with regard to this particular incident. I want to clarify that CAMP never suggested copyright infringement or that we would take legal action in this case. However, we do register our murals with the U.S. Copyright Office, we do have an attorney, and we do take action when we feel a case has the merit to do so. Finally, as I’ve previously noted, the issue in this case is one of respect. CAMP’s artists have collectively donated tens of thousands of hours of volunteer time over the past 21 years – it’s truly been a labor of love. We do pay our artists a small stipend for materials when we can, but it in no way matches the amount of time and energy that folks give. The project did not start as a magnet for tourists or as an icon for San Francisco; it began as a project to build community with the neighbors on the alley and to help showcase the works of local artists. We do love sharing our work with folks and we have many great encounters with locals and visitors daily. We are always happy to share our work – it’s FREE – but we have drawn the line for commercial purposes … PLEASE contact us for written permission … and if we do agree, please give the artists and CAMP credit. One of the things that has made Clarion Alley a unique space is that we’ve been going strong with integrity for over 21 years as a volunteer-run space without commercial ties. The few times that we have agreed to allow commercial projects to film on the alley, we’ve gone through a long process of ensuring compensation and credit to the artists & CAMP. And if we say “NO” please RESPECT our wishes.